
Filling the midday slot of the Project 9-6-1 Cinco De Mayo celebration, Seether delivers a 75 minute set of crowd favorites and radio hits to the enthusiastic crowd.





Seether was shot at that precarious time of day when stage and ambient (sun) lighting perfectly mix and flatten the overall exposure. This coupled with a 6′ stage and another 12″ of monitors made for limited shooting angles for the first 3. The better angles were shooting downstage or leaning back over the barricade into the crowd to clear the height as best possible. By the end of the third the stage lights began to overpower the ambient. Overall exposures were around 3200ISO.






















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